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Architecture (Latin architectura, from the Greek ?????????? arkhitekton, from ????- "chief" and ?????? "builder, carpenter, mason") is both the process and product of planning, designing and construction. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. "Architecture" can mean: A general term to describe buildings and other physical structures. The art and science of designing and erecting buildings and other physical structures. The style and method of design and construction of buildings and other physical structures. The practice of the architect, where architecture means the offering or rendering of professional services in connection with the design and construction of buildings, or built environments.[1] The design activity of the architect, from the macro-level (urban design, landscape architecture) to the micro-level (construction details and furniture). The term "architecture" has been adopted to describe the activity of designing any kind of system, and is commonly used in describing information technology. In relation to buildings, architecture has to do with the planning, designing and constructing form, space and ambience that reflect functional, technical, social, environmental, and aesthetic considerations. It requires the creative manipulation and coordination of material, technology, light and shadow. Architecture also encompasses the pragmatic aspects of realizing buildings and structures, including scheduling, cost estimating and construction administration. As documentation produced by architects, typically drawings, plans and technical specifications, architecture defines the structure and/or behavior of a building or any other kind of system that is to be or has been constructed. The earliest surviving written work on the subject of architecture is De architectura, by the Roman architect Vitruvius in the early 1st century AD.[3] According to Vitruvius, a good building should satisfy the three principles of firmitas, utilitas, venustas,[4][5] which translate roughly as Durability it should stand up robustly and remain in good condition. Utility it should be useful and function well for the people using it Beauty it should delight people and raise their spirits. According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leone Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De Re Aedificatoria, saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised human figure, the Golden mean. The most important aspect of beauty was therefore an inherent part of an object, rather than something applied superficially; and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari.[6] The treatises, by the 18th century, had been translated into Italian, French, Spanish and English.